Dungeons & Dragons 5th Edition – First Impressions

Welcome – I am proud to announce that this review of the 5th edition Dungeons & Dragons Player’s Handbook is the 750th post on Claw / Claw / Bite!

In addition this is the inaugural post on the new blog and website. The server hosting this blog went down a few months ago. Due to incomplete backups we have had to rebuild a several years of the blog one post at a time. This has only been possible due to the Internet Archive‘s captures of the original blog. Thank you, Internet Archive, you were my only hope. With the help of those captures the many years of our creative works are once again available to the public.

To introduce myself – I’ve been playing Dungeons & Dragons since 1982 or so, and I’ve been publishing material for role-playing games through Unicorn Rampant since 2006. You can see the fruits of our labors here. Feel free to leave comments here on the blog, and expect this new site to continue to evolve and change as we clean up from the move and reconstruction.

Now for the review.IMG_20141210_094405638

I’ve been reading the 5th Edition Dungeons & Dragons Player’s Handbook from cover to cover in preparation for playing and writing material for the new rules. As someone who has already played more than 5 different versions of this game, along with many other role-playing games, I’m very interested in how well this new edition of gaming books are written, and how fun the game looks to play.

My summary? The new edition of the Player’s Handbook is well done, both for new players and those of use who have been loving this hobby for a long time. A few of the best ideas from 4th edition have been baked into a streamlined, inspiring, familiar-feeling new edition of Dungeons & Dragons. Clear, evocative writing illuminates character options and rules throughout, with a healthy dose of illustrative art, and fun tables and charts.

Reviewing the table of contents, I’m glad to report that they have more or less kept the same order of chapters that has been in use since the AD&D Player’s Handbook. The 5e D&D PHB has that same sensible old order of topics that make it a quick and easy-to-use resource for a veteran player like me: Characters, Equipment, Rules, Spells, and Appendices. There is also an extensive index.

IMG_20141210_094509298The Player’s Handbook is graced throughout with a generous amount of varied art. Realistic-looking pieces gaze across the page at more illustrative ones, and everything is vividly colorful and well executed.

The introduction lends good context to what this strange game is, with evocative cues for the imagination throughout. For new players this section of a role-playing game rule book is hugely important – not just to summarize how the game is played but to give the reader an idea as to why it is played. If a prospective player reads the fist page and it doesn’t make sense, or if it just falls flat, then that reader might miss out on this incredible game.

The worlds of Dungeons & Dragons are presented as individual creations with similarities, and the official settings of Greyhawk, The Forgotten Realms, and Dragonlance are used for examples throughout. Thus the reader is presented with a rich variety of inspirational details while being encouraged to create their own unique game.

The character creation section does a good job of walking the player step-by-step through the process of filling out the character sheet. The basics of what makes up a character and relevant rules are explained as needed along the way. I applaud the tutorial-style approach to the overview.

The races presented are divided into common and uncommon races, the former being the humans, halflings, elves and dwarves we’re familiar with from Tolkien’s Middle Earth. Personally, I find it jives nicely with my mental image of a fantasy world, wherein the included dragonborn, gnomes, half-elves, half-orcs and tieflings are presented as being less prevalent. Of course an individual Dungeon Master could write whatever mix of races they wanted into their own campaign, changing things to suit their group’s tastes, but that goes for everything in these books. There are a wealth of explanatory sidebars filled with in-game role-playing details about how the various races relate to each other in this typical fantasy world. In an example of how this edition has streamlined the rules Darkvision has been simplified – they combined what previous editions have called low-light vision and darkvision and gave it to everyone except humans, halflings, and dragonborn.

IMG_20141210_094641224The classes received a similar treatment – there are lots of well-written inspirational passages that give a variety of ideas about what each different class can be. Class abilities have been both expanded and streamlined. For example there are now five different fighting styles, and rangers, fighters, and paladins get to chose from different subsets of the five. For the magically inclined classes spellcasting has also been simplified and made more flexible while retaining the core feel for each class. Also, some of the most popular prestige classes have been written into the core classes as options that can be chosen as the character progresses to higher levels. The cherry on top is the inclusion of the warlock class as one of the core classes. Recognizable feats have been combined and made more fun – the cleave and power attack feat takes effect on rolls of natural 20, for example. Other rules have similar dramatic effects when a 1 or a 20 is rolled.

IMG_20141210_092048814Throughout the book there are great tables and charts. Finding the trinkets chart, for example, just thrilled me. What a great resource to inspire players and DMs! And there are nods there, as well as through the rest of the book, to great classic D&D adventures and supplements I’ve played with such as The Temple of Elemental Evil. When looking for inspiration, trying to create your first dungeon, or just rolling random encounters and treasure, a evocative table to roll or pick from is a great tool. I’m glad they included lots of them.

IMG_20141210_092025490The excellent writing continues in the character details chapter, which covers description, values, bonds, flaws, alignment, backgrounds, feats, and inspiration. The backgrounds feature is a great innovation – players pick one of the many backgrounds, such as folk hero, noble, or acolyte, and that background confers skill and tool proficiency along with other character features. Each background has plenty of example prompts to inspire some creative storytelling for your character. It’s a huge improvement, in terms of player experience, over the skill point system which was always one of the most tedious parts of character creation in my opinion. Now players can just pick one background that confers a group of related skills and be done with it. Since your choice is not tied to your class players get to have a bit more variety in their characters. For those who prefer to craft something individual and different there are rules for that as well.

5th edition magic missileThe magic section includes all the expected spells, and some new ones from 4th edition. The spells are simple and clear, most a few short paragraphs long, and the mechanics for increasing the power of lower-level spells are great. Using a higher level spell slot boosts the power of most spells in a nice, linear way. Spellcasting classes have 0th level cantrips they can cast an unlimited number of times, but because the hit point and damage totals are lower than they were in 4th edition, players shouldn’t have to actually cast them an unlimited number of times any more (sorry, 4th edition. That’ll be the only joke I make about you). Even spells that have been tricky or confusing to some in previous editions , such as Dispel Magic, have been streamlined and given more flexibility. Spells are one of the most important aspects of Dungeons & Dragons and the authors have done a great job with them.

IMG_20141210_092220219In an admirable move, Wizards of the Coast has released the basic rules for free as a PDF. It includes rules for playing a human, dwarf, elf or halfling and cleric, fighter, rogue and wizard, and about as many spells as were in the AD&D PHB. http://dnd.wizards.com/articles/features/basicrules?x=dnd/basicrules

In conclusion I will say that I’m really looking forward to giving this new set of rules a spin. The writers at Wizards of the Coast have produced a new edition of the game that looks to have gotten the rules out of the way so that we can focus on the exciting stories we’re trying to tell. Keep watching this spot on Claw / Claw / Bite for more impressions as we play.


Posted in 5th edition Dungeons & Dragons, Editorial, Review and tagged by with 2 comments.

One Page Dungeon Contest 2014

The April 30th deadline for the One Page Dungeon Contest 2014 is rapidly approaching! This fantastic “competition” is a great excuse to dust off an old adventure you’re run and distill it to its essence. You can find out lots more about what one pagers are all about, including the submission rules and guidelines on their site in case you want to share your one-page creations with the (role playing) world.

The site is also a fine repository of fantastic ideas for adventures if you’re running one in the near future.  Nothing quite like being prepared for a game you’re running…

I have put together a one-page version of an adventure we ran at a few Houston gaming conventions in 2013, The Tomb of Athganazar and just submitted it. Regardless of how it fares, the joy is in the making!


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Elder Scrolls Online Beta and Online Fantasy Games

I had the opportunity to play in Bethesda Softwork’s beta test of Elder Scrolls Online this weekend and, frequent crashes of the client aside, I liked the game quite a bit. The user interface was so good, in fact, that it started me thinking about all the other online fantasy games I play. So in this post I’ll start of with my impressions from Elder Scrolls Online and move on to compare and contrast with World of Warcraft, Dungeons & Dragons Online, and Minecraft.

Elder Scrolls Online follows confidently in the footsteps of Skyrim, Oblivion, and Morrowind. The familiar world of Tamirel is good looking and well rendered. The small island I ended up stuck on was large enough to get lost on several times, so the sense of being in a large world in the game is present. The quests and NPC reactions were well voice-acted and easy to navigate, thanks to the game’s very good quest, map, and inventory interfaces. So to end the introductions, here is Sagulot.

Most of these screenshots were in the game’s low graphics mode, by the way. It looked nicer in the high mode the client started in by default, but my computer, trustworthy as it is, isn’t exactly cutting-edge. I had also heard that the client liked to crash. So I tried the minimum graphics mode, which played smoothly, and then switched it up to low, which was also very smooth. When I switched to the medium video settings, the quality of the detail improved dramatically, but it also slowed down a bit. It was still playable – I could quest and fight successfully, but it wasn’t quite a fluid as it was on the low setting. I didn’t try any settings higher than that. I know the limits of my old frugally home built desktop. Here’s a shot of it with the medium settings.

The user interface, overall, was the most impressive part of the experience, showing the type of polish in a game that, in my opinion, sets Bethesda Softworks up there as rightly-honored veterans in the video game industry. For example – the spell and special-ability hotkeys are Q, 1, 2, 3, 4, and R on the keyboard, conveniently close to the WASD movement keys. The open-doors-and-loot-chests-and-talk-to-people button, the E key, is your “accept” or “equip” key when you’re in most dialouge windows. And the ALT key is “cancel” when you want to get out of any sub-screen. Overall it makes playing the game vastly easier and is the type of attention to detail that I really appreciate in a game. If you zoom out of the first-person point of view that is the default, it moves up over your character’s right shoulder and looks down at an angle, so that you can still see things that are right in front of you. All together it helps with the immersiveness of the game.
Little touches like the lockpicking mini-game and the various disguises you can use during quests make the cloak and dagger elements fun in a way great games like Mass Effect 2 have used.Here is Sagulot, disguised as a servant.

Also, the client crashed a lot. This is the only reason I took a half star off of my tentative rating. And some of the quests or items were buggy – there was a chest that I could not open until I restarted the client. I didn’t mind too much, except for having to re-enter my password every time. I know some of my friends got frustrated and went back to playing Final Fantasy Online or Faster Than Light, but my thinking is that I’m getting to play this game for free, before they have released it, as part of a stress test of their servers. They are croudsourcing an important part of their quality assurance process, and I think it’s a good deal for them and for us, so I can put up with having to restart the client over and over. And there were a couple of instances of something not loading right, but nothing that I wasn’t able to overcome with a restart of the client.

The stories I played through were good. I particularly enjoyed the escape-from-the-underworld tutorial sequence, which played fast and got you right into the game. The quest and conversation sequences were direct and nicely to-the-point, and every one that I navigated was appropriately voice acted. There were good dramatic moments throughout the quests, and even some funny asides. The world is the wonderfully gritty, brutal fantasy-medieval world those who have played previous games in the Elder Scrolls series have come to know.

In terms of the pvp-free multiplayer, outdoor areas and many areas in the game’s dungeons are common areas, where other online players are there with you. In the online beta this turned the dungeons into perpetual bloodbaths where the goblins spawned as fast as the marauding players could slay them. Return to town, repair your equipment, sell your spoils, and set off on a new quest. And the landscape is dotted with quests, making wandering off into the wilderness a rewarding experience, even on the small island where I played.

Smoothly interspersed here and there are areas where your player is alone with some non-player characters to present a dramatic scene. The game seemed to have a way of keeping the in-game quest scenes private to each player, which was nice and helped with the verisimilitude of the heroic fantasy. Nothing to make a quest you just completed seem mundane like seeing forty other players being celebrated with the same quip. So, overall, I enjoyed the story elements, which were well executed, and look forward to seeing what other adventures like ahead.

Character statistics, skills, powers and spells appeared to work much like in previous Elder Scrolls games. In general, the skills you use the most advance without intruding on the hack-and-slash “first person sword-and-sorcery” thrill ride (FPS&S – to coin a phrase?). You can pick special powers, called “feats” that let you pierce your foe’s armor, or increase your defenses, and it appears most classes get access to some magic spells. I was happy to see the inclusion of their soul magic system, and look forward to making some magic enchantments, which appear to be transferable between items. My orc character’s class was Dragonknight I believe, and within a day of playing I had a flaming chain spell that pulled enemies to me, a sword swing that stunned my foes, and an iron cuirass and shield. It was awesome.

Overall, I give Elder Scrolls Online a tentative 3 1/2 stars. If the client crash issues and the few quest hiccups are fixed, I expect to play this excellent-looking addition to the series with my friends quite a bit when it comes out. But for now, Elder Scrolls Online, I bid you a good night.

As for World of Warcraft,Dungeons & Dragons Online, and Minecraft, tonight the candle burns low, so I will return to the subject in an upcoming post.

thanks, and happy gaming,


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My Best OwlCon Yet

This year’s OwlCon was once again an excellent experience for my friends and I, and judging by the ever-rising attendance numbers, other attendees have had similar experiences. Read of for details and pictures.

The Claw / Claw / Bite crew carpooled from Austin to the beautiful Rice University campus for a long weekend of gaming and catching up with friends. I ran a great game of Divine Right with some first time players, helped Dan run our AD&D adventure Siege of Black Mountain, and played lots of other games, including the not-yet-released reprint of OGRE. To top it off, we not only figured out where to get good food on campus, but we discovered the on-campus bar, Valhalla.

I played a round of OGRE and had a blast. Fast-paced, easy to learn, and fun. I played the conventional forces trying to stop the OGRE from reaching my command post to no avail.

Daniel Smith and I had prepared a two-party AD&D / OSRIC adventure to run. Dan ran the dwarf party as they tried to protect their mountain home from the army of elves on their doorstep.

I had a blast playing the new Star Ward miniatures game. With Rob Wubbenhorst providing cover with his X-wings, I was able to drive my Y-wings straight down the trench and bullseye the Death Star’s exhaust port on my first shot. It was awesome.

For my final event I ran a very fun game of Divine Right with some first-time players, who had never played a map-and-chits game before.

For more pictures check out Unicorn Rampant’s Facebook page.


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Aberoth

Aberoth

Welcome the throwback world of Aberoth, a cute little (55K) Javascript client that plugs in to what appears to be a fairly fleshed out world on the backend.  It seems there are mobile clients and even one in Java (people still use Java?).

Hop online and enjoy some amusing times that will at least remind you of your old video game rpg playing days when you had more free time.  If by a 1:million chance you run into me, I’m on there as Omeros.


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Dungeon Robber

Last Friday, Johnn Four included a link to this fun little online dungeon generator/game, inspired by (and maybe cloned from) Gygax’s random dungeon tables. Yes, I’m just getting to fun RPG emails from last week nowish.

dungeonRobberBrowserGame

Screen capture of Dungeon Robber running in a browser. More adventure games should run like this!

Try it out!


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Free Download of Fourthcore Alphabet

In honor of Halloween, SVD Press has made their Fouthcore Alphabet available as a free PDF download from Lulu now through the dark holiday.

We have found this to be a valuable resource for generating new ideas for dungeons, denizens, and deathtraps! Each letter of the roman alphabet contains tables of 1d20 and 2d20 roll results with juicy elements to pick and choose in your deep or ad hoc dungeon design.

Go get your copy now before it’s too late.  You’ll kick yourself if you don’t.

And as always, make it fun!


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Word Up to the Columbus Free Press

With a shout out to the Columbus Free Press, I have to give props to Damp Heat’s The Lich.

http://columbusfreepress.com/article/%EF%BB%BFwith-hand-vecna-damp-heat-brings-nerdcore

Review by Gerry Bello.


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Ale Break: Romantic Musings

Writing romantic storylines for your players is very different from the typical RPG story. But as a potential source of interesting dramatic storytelling it’s tempting to try.

Fantasy writers have never had to think up something romantic for a specific person, guessing at what they’ll like, and role-play it out with their audience while looking that person in the eye.

It brings up all type of issues, even if you’re two players who’s characters play out some type of romance.

Which player do you write the 1st romantic storyline for? Or do you try to write a storyline for each of them that takes place at the same time?


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Recapping SpaceCityCon 2013

I took a Saturday to make a trip out to SSC 2013 to run a session of The Tomb of Athganazar.

The adventure went well — even had a few folks playing who expressed interest in seeing our other adventures, so I’ve pointed them to this site.  If you, dear reader, are one of them, thanks for the kindly-worded validation.  The adventuring party found a very creative solution to the wizard’s challenge, different than those at the last con, but just as off-the-wall and fun for all.  This seems to be the norm for games I run at cons, which is very encouraging, both in the flexibility of the adventure as well as the creativity of the players at Texas gaming cons.  Excessive hack-n-slash isn’t as fun for me as a storyteller, as it too often turns adventures into glorified calculators.  The question for me has always been whether players enjoy this outside-the-lines style of session, and it seems they do. Again, thank you all players who roll with these adventures.  I am grateful for your participation and positivity.

On the floor, I met a visual artist, Joey Blackard, with an intriguing, yet simple style, and picked up one of his framed originals.  I’d love to use more of his work in our adventures; more on that in time.  Then, after running the session, happened upon Diesel on the vendor’s floor, and though I usually don’t approach such luminaries in the history of role playing, he seemed very approachable, so I decided I’d say hi.  Thirty minutes into our discussion of role playing, scoping projects, the experience of working at TSR, then WoTC, and finally life in Austin, I realized that we had a lot of common ground.  He was so down to earth and genuinely interested that I had to cut myself short or I would have kept talking with him all evening.  I’ll definitely look him up at other Texas cons; he tends to make the rounds each year.  One of my favorite con experiences ever.

As usual, the Houston hospitality was second to none, the organizers, gamers, and other locals taking care of me as they always do.  Special shout out to Leo and Phil for the discussions and good times on Saturday night after we’d packed out of the con.  Always great to hear about your campaigns and story ideas and to meet more of your friends and colleagues in adventurecraft.

More to come as we are already hard at work on an adventure to run atOwlCon in early 2014.  This one will showcase the Dungeonstone Caves and Caverns Set that recently closed on Kickstarter.  Odds are they’ll have some sets available for purchase at the con.  So in six months, come check out the booth; the adventure will be run in multiple sessions at the neighboring table.


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