Ale Break: Questing for spells
One way to add some meaning (and difficulty) to spell-casting is to require spell casters to learn their spells in-character. Some characters may have a formal tutor, but many others will likely not, especially if they are sorcerers, woodland casters (druids, rangers, less-structured clerics) or rogue casters.
For these characters, there is a great way to make them (and their players) really respect and cherish their spells. Make them quest for them! Here are a few ideas.
* The party learns about an ancient tome containing a story about a historical figure who could disappear and reappear across town almost instantly. They decide to track down the tome, which leads them into a large city or the Plane of Knowledge (giant library, the size of a plane, with all known knowledge within — see upcoming CCB post) for more information.
* Someone in the party is killed or otherwise rendered incapacitated (due to an expected player unavailability for the next few sessions), and the rest of the party needs to gather the rare reagents to create the ritual environment for a raise dead, remove curse or similar to be successful.
* A young apprentice wants to learn the invisibility spell, but in order for his master to feel that he has learned the spell, she will hide the scroll that must be scribed in a secret location, and the scroll itself is invisible. The apprentice will need to locate the scroll, and this earn the spell, before he will learn the spell. The master might quip, “First you must know what it is like to be on the other side before you are mature enough to wield the spell.”
* A high-level spell is spread across multiple scrolls, which have been sent via courier to the princely barons of the land. Only by convincing these royals to hand over their parts of the scroll will the party acquire the spell, which happens to be, for instance, charm monster. This may require the party to perform tasks and take on quests for each of the barons, leading to even more adventure!
More to come in a future post…
Posted in Editorial and tagged ale break, dm tips by Stephen Hilderbrand with no comments yet.
Positive Reviews – Winter 2009
There are a few reviews of our material out there or about to be out there. Here are a few quick links:
We have received multiple positive reviews on rpgnow.
We are mentioned fairly prominently in the upcoming reviews on rpg-resource.org.uk.
Happy reading (and reviewing!)
Posted in news, Review and tagged press by Stephen Hilderbrand with 1 comment.
Fallon House
This location is inspired by the work of E.A. Poe, though none of it explicitly derives from his work.
This three-story dwelling is characterized by its distinctive lean. Each of the floors melds into the others, with very few staircases. Instead small one-step and two-step passageways pass from floor to floor, leaving all but the most astute dungeoneers disoriented. The corridors within are also oddly-shaped, starting wide and ending narrow. Ornate doors lead to rooms which face the outside in all cardinal directions, and a raised passage leads from the second floor main hallway to a two-story gazebo out back.
Throughout the house, cobwebs fill the corners, and a layer of dust coats the furniture and floors. Small animal footprints gather around the central hearth and lead off in all directions. Bats and giant caterpillars complete the ecosystem, in the broken rafters and under loose floorboards, respectively. Under these floorboards are old catacombs which predate the house itself. These catacombs can be cited as another reason for the lopsidedness of the house.
Outside, the barren trees have long-since grown away from the house, all they can do to distance themselves from the darkness within. A darkness that grows with each passing night. The timbers themselves have rotted from the inside, just like the human denizens of Fallon House.
The Fallons were once skilled translators of ancient texts, counting the most prominent political figures among their clientele. Since those halcyon days, however, the eldest couple in the Fallon household faced marital problems, eventually disintegrating the marriage. This collapse of the foundation of the family had visible physical effects, leaving the house and family lopsided as relationship upon relationship ended. The inhabitants left the house, one broken relationship at a time, until it was left deserted, as it has remained for a few years now.
This location holds many ancient secrets in the moldy tomes still within. It also hosts many creatures, as mentioned above.
Drawing by Ben Dare.
Posted in Uncategorized and tagged campaign plotline, Location by Stephen Hilderbrand with no comments yet.
CCB tips picked up by roleplayingtips.com!
One way we try to actively give back to the gaming community is getting our ideas out there in less conventional formats. Johnn Four runs a great little gaming magazine, where he gathers and dispenses tips from game masters the world over. He recently included one of our posts on the use of the written (and spoken) word in role playing campaigns:
http://www.roleplayingtips.com/readissue.php?number=433
Keep sharing ideas, everyone!
Also, check out the rest of his site. It’s chock full of good ideas.
Posted in news and tagged dm tips, press by Stephen Hilderbrand with 1 comment.
Saha Ra and Ohases
Saha Ra is a neutral deity who provides clerics with access to the Sun and Earth domains. His wife Ohases provides his cool complement, Moon and Water.
He is concerned with the role of light and heat, and she with the role of shadow and cold. They are both favored by cultures which live in or near deserts.
His symbol is a the sun with the earth below, represented by a horizon line. A simplified version of the symbol is a circle with a horizontal line under it. Hers is a crescent with a wavy line below.
Tales of their troubled romance peppers the mythologies of those who worship them, as well as those whose religious practices allow for them in their larger pantheons.
Posted in Deity and tagged earth, moon, sun, water by Stephen Hilderbrand with no comments yet.
Khadiya Umberbær
Khadiya was born and raised by the Bær tribe on the edge of a vast desert. From his upbringing, he has learned to worship Saha Ra, god of sun and sand, and live off the fruits of this deity. As he’s moved into more urban environments, he’s taken up various rogues skills to survive.
Khadiya Underbær
Medium-size Male Human
Rogue 5 Ranger 2
Hit Dice: (5d6)+(2d8)+14
Hit Points: 54
Initiative: +4
Speed: Walk 30 ft.
AC: 18 (flatfooted 18, touch 14)
Attacks: *Shortbow +1 +10;Sword (Short/Masterwork) +7;
Damage: *Shortbow +1 1d6+1;Sword (Short/Masterwork) 1d6+1;
Vision:
Face / Reach: 5 ft. / 5 ft.
Special Qualities: Archery Combat Style, Evasion (Ex), Favored Enemy (Humanoid (Reptilian)) +2, Sneak Attack +3d6, Trap Sense (Ex) +1, Trapfinding, Uncanny Dodge (Dex bonus to AC), Wild Empathy (Ex) +3
Saves: Fortitude: +6, Reflex: +11, Will: -1
Abilities: Str 13, Dex 18, Con 15, Int 13, Wis 7, Cha 12
Skills: Appraise 2; Balance 16; Bluff 1; Climb 6; Concentration 5; Craft (Untrained) 1; Decipher Script 2; Diplomacy 1; Disable Device 7; Disguise 1; Escape Artist 10; Forgery 3; Gather Information 4; Heal -2; Hide 10; Intimidate 1; Jump 6; Listen 4; Move Silently 14; Ride 8; Search 5; Sense Motive 0; Sleight of Hand 9; Spot 1; Survival -1; Swim 2; Tumble 10; Use Magic Device 4;
Feats: Armor Proficiency (Light), Dodge, Martial Weapon Proficiency, Mobility, Point Blank Shot, Rapid Shot, Shield Proficiency, Simple Weapon Proficiency, Track
Challenge Rating: 7
Alignment: Chaotic Good
Possessions: Aquamarine; Rope (Silk/50 Ft.); Arrows (20); Arrows (20/Mithral); Backpack; Bedroll (Fine); Case (Map or Scroll); Elixir of Sneaking; Fishhook; Flint and Steel; Grappling Hook; Leather +2; Magnifying Glass; Onyx; Piton; Potion of Cure Moderate Wounds; Pouch (Belt); Rose Quartz; Sack (Large); Sack (Small); Sard; Shortbow +1; Signet Ring; Sword (Short/Masterwork); Thieves’ Tools; Torch; Waterskin (Filled); Whetstone;
Spells:
Spells per Day: (0/0/0/0/0/0/0/0/0/ DC:8+spell level)
Ranger – Known:
Level 1: Alarm, Animal Messenger, Calm Animals, Charm Animal, Delay Poison, Detect Animals or Plants, Detect Poison, Detect Snares and Pits, Endure Elements, Entangle, Hide from Animals, Jump, Longstrider, Pass without Trace, Read Magic, Resist Energy, Speak with Animals, Summon Nature’s Ally I
Posted in Character by Stephen Hilderbrand with no comments yet.
Traveler’s Tables
Traveler’s tables are nice little elements to add some spice (and encounter locations) to your worlds. Placed outside the city walls, though often in view of the town guard, these are simple tables set up so that merchants and travelers can regroup, take in a meal, and generally rest up before heading into the hustle and bustle of town and city centers.
The construction of the tables varies per region, with some city-states erecting magnificent stone tables, complete with moderate shelter, horse ties and posts, working wells and shrines. Other, less well-to-do locales offer more meager accommodations, but all municipalities consider it their duty to accommodate the weary traveler, and this is one such gesture of welcome.
These locations are often named for famous adventurers who hail from the towns in which they are placed.
Posted in Uncategorized and tagged campaign flavor, dm tips by Stephen Hilderbrand with no comments yet.
Tablas of Persuasion
These portable drums appear normal until played by someone who succeeds at a DC 15 Perform (drums/percussion) check. At this point the rhythm of the drums causes all who are within earshot (typically 60′) to make a DC 15 Will save or be at a -10 on all Will saves while the drums are played. This makes them more susceptible to persuasion, charm, and command effects originating from the player or those aligned with her.
Faint enchantment; CL 8th; Craft Wondrous Item, creator must have the bardic music class feature, charm person; Price: 15,000gp; Weight 5 lb.
Posted in Magic Item and tagged drums, enchantment, instrument by Stephen Hilderbrand with no comments yet.
Ale Break: Immediacy in Storytelling
Here is a problem that plagues many role playing campaigns. The story isn’t driven enough by the need to move. Think of many classic fantasy stories that inspired the creation of dnd and have been written since then – Lord of the Rings, Golden Compass, the novels of Jack Vance, etc. time and time again, these stories move from location to location because the protagonists aren’t allowed to idle. There are no two-month periods where they sit around spending loot in bars and brothels. Sadly, too many dnd games devolve into this, with players playing out their adolescent fantasies in the campaign world. This is also the pacing of games like World of Warcraft, where the goal is to level your characters without ever actually role playing. This too has become too often the norm. Sure, players love shouting one-liners across the table, and this should be encouraged, especially when it’s done in character. But in too many games, real role playing is often the afterthought.
Unfortunately, World of Warcraft has made its snickering (and highly profitable) way into the latest edition of the rules, which are written to entice players to want to level up to get that next encounter power, and making that the focus, rather than actual role playing. This perversion of the rules (huh… why’s everyone able to heal themselves fully ~10 times a day?!?! and where’s spellcasting gone?!? it feels like fighters wield as much magic as mages…) More reasons why 4th ed is subpar compared to other, more realistic, though perhaps more loop-hole-ridden systems to follow in a later opinion post.
Back to the topic at hand. One thing I’ve noticed (remember that this is an opinion piece) is that so many decent fantasies come from Britain, and so few from the U.S. It’s not to say that Americans (and I’m one of them) can’t create them, but why are we as a culture so stunted when it comes to deep storytelling? Maybe because there’s not much of an oral tradition anymore, or really any sense of history at all. More people my age can name all the thundercats and transformers than can name all the U.S. state capitals or the 44 presidents. And don’t dare utter the term Magna Carta unless you want to face blank stares.
In role playing sessions (and outside them as well), this bugs me, for without knowing your history you have no context for what you’re doing. History (though often confined to thick tomes and a certain not-so-aptly-named cable channel that shows more infomercials than actual history) is living… history provides context… history provides immediacy. And it’s this immediacy that makes role playing fun and exciting. Not all campaigns feature short people who travel the land to deliver an evil ring to its maker, but certainly any epic-scale campaign should include some reason for the characters doing what they’re doing.
Otherwise they’re just floundering around the world, a drunk gambler with a penchant for whores, like a gamer with no opposing alignment. And thus, no need to move!
So if you’re a DM, keep reading up on history (or make some up!), and introduce or maintain a sense of immediacy in your storytelling. Your players will thank you… maybe not today, but when they look back on your campaign through the lens of their future’s past.
Posted in Editorial and tagged dm tips by Stephen Hilderbrand with no comments yet.